Tuesday 16 October 2012

Production



Tuesday 9th October

Our first proper production team meeting was held in the Control Booth at Matthew Boulton Campus, not a space for the claustrophobic when we’re all in there but I’m sure once it’s all set up and we have added a few personal touches, it’ll be a nice cosy space.

At first we discussed the subject of what we would be naming our little production team, so at least we had something interesting to put on our hoodies and t-shirts other than ‘The Production Team’…
I made the suggestion of calling ourselves  The A Team’, as if I had been born a boy the whole team would have been called Alex; we are the first team of this type, hence Alpha or A; and it’s also a nice little nod to our nerdy tendencies. My idea was well received so soon we’ll each be getting a specially made black hoodie (and maybe even a long sleeve t-shirt) so we can be easily identified on site.

We then had a short brief on the support we’ll be giving over the half-term week as the MB Hall hosts ‘YouTheatre’: a series of workshops and shows directed at young people.  Personally I wouldn’t mind sitting in on some of the workshops as they are of special interest to me including: make-up effects and stage combat.

After that it was time for individual tutorials with Ruth. A good opportunity to get to know our tutor a bit better, explain where we’ve been work/life wise, where we want to go and ask any questions that may have come up during the first week on the job.
 
After lunch we all went to room 021 to have a Meet & Greet with the cast of Snow Queen, the Christmas show we’ll be working on with the BTEC Level 3s. Interesting group of people, (if a tad young and rowdy), it’ll be a good challenge to get to know them and build a nice group work atmosphere. I look forward to getting down to work with them.

Sunday 14 October 2012

RISK - Part 1



Thursday 4th October
A day all about ‘Risk’, the first project for the HND Year Ones.

We started off with Ellie giving the production team a stack of printouts of quotes about risk, from which we were to select those quotes we thought pertained most to the subject of risk. As with most internet search results many of the quotes actually didn’t have anything to do with risk other than they contained the word. So the two Alex’s and I set to the job by creating three piles of quotes: the definite 'yeses', the 'maybes' and the definite 'nos'. Once we had gone through all of the printouts, we went back and looked at the 'maybes' and debated whether each was a 'yes' or a 'no'.

Once we had organised them all, the pile of pertinent quotes were placed around the room for the performance students to peruse and then select one that spoke the most to each individual student.

Then each member of the production team would join one of the three groups of performers that Ellie had formed. I pretty much chose the group I would join at random but was quite surprised to later find that all the quotes they had selected had been ones I myself had chosen for the ‘yes’ pile and that all the quotes had a similar theme to them:

  • Eve – Decision is a risk rooted in the courage of being free. (Paul Tillich)
  • Billie – There can be no vulnerability without risk; there can be no community without vulnerability; there can be no peace, and ultimately no life, without community. (M. Scott Peck)
  • Laura – The policy of being too cautious is the greatest risk of all. (Jawaharlal Nehru)
  • Matt – The trouble is, if you don’t risk anything, you risk even more. (Eric Jong)
  • Leon – We know there is no such thing as freedom without the risk of failure. (Rick Perry)
  • Jonathon – At the risk of sounding hopelessly romantic, love is the key element. I really love to play with different musicians who come from different cultural backgrounds. (John McLaughlin)


The group sat for a while and spoke about their individual quotes: why they had chosen them and how each quote spoke to them personally. It became obvious pretty quickly that there was a certain theme to the quotes that would be the central theme to the performance piece we would be making: That not taking any risk in life can actually be the biggest risk of all. That many people when they come to the end of their lives do not regret the things they have done in life so much as the things they haven’t…
Through this subject we came to the theory that people who never take any risks and always err on the side of caution do not seem to ‘get anywhere’ in their lives and don’t fulfil their potential. Becoming almost institutionalised in their safe (if not boring) little worlds and how in some cases this can be harmful and even fatal.
At this point a mental image came to me and I offered it to the group:  I have observed how in the cases of the more intelligent types of animals, (including humans), when they have been caged for long periods of time, do not seem to be able to function properly outside their cages. That they have become institutionalised and when given the opportunity to escape or are removed from their confinement, all they want to do is get back in.   
From this observation the group grasped upon the vision of a caged bird taking the risk to break free of its confinement and spreading its wings and flying off into the unknown.
From there the group decided on the purpose and theme of the performance piece: to hopefully persuade the audience to take risks in life, that sometimes one has to take a risk to be able to live life to the fullest and be free of the metaphorical cage society and indeed ourselves build up around us.
From there on it was all about figuring out how we would get the message across to the audience. What scenes and images we would use, what examples of risk would be most pertinent to the subject matter and also be obtainable to the target audience (In this case the 2nd years).
As the work session came to an end we decided to each speak to a variety of friends and family over the weekend, asking them about what they thought of ‘Risk’, what risks they may have taken or hadn’t taken in life and which of those they may have regretted. Thus we could get a cross section of opinion on the subject and use the most common risks in the piece.

In general it was a great work session, with lots of creativity flowing around the group, as most of the group seem to be on similar wavelengths, there is a good sense of comradery and eagerness to produce the best performance possible.